Denyce Blackman, LISP Jury

LISP is proud to have Denyce Blackman on our Jury board. Check out the interview to get to know Blackman better.

-What impresses you the most in a story (which can be in a form of flash fiction,

short story or screenplay)?

A story which masters subtlety. Things like dialogue, for example, have the ability

to make stories fascinating in their authenticity. It often boosts the realism of the

entire story, making it feel as though the storyteller is capturing a moment,

instead of creating a fictional moment.

- How do you describe the art of the storytelling? Also, can you give us some

tips on how to master it?

Thinking about film, I’d say a good story would be one where the quickest route

is also the scenic route. Prune areas that don’t move the story forward, and avoid

over-explaining and being superfluous.

- What do you and festivals/competitions look for while curating their lists?

Festivals want stories that fall outside of the typical narrative; stories that they

feel their audiences would not have seen before. This might be a unique

perspective, a unique mode of storytelling, or an unexpected ending. A good

story will plant itself in the viewers’ minds and stay rooted for a very long time,

and these are the ones a festival wants to be associated with.

Some things are outside of the writer’s control. If their story doesn’t fit with the

theme of a particular festival, or if the competition is searching for particular

voices, there is little you can do even with a well-crafted script, so don’t lose faith

because of it!

- Finally, what advice would you like to give for the ones wanting to enter our

Screenplay, Short Story and Flash Fiction competition?

Do not be afraid to leap beyond the typical narratives!

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